[NDS] Pokémon Mystery Dungeon: Explorers of Time & Pokémon Mystery Dungeon: Explorers of Darkness -

[Zeta]

Submission Information:
Series: Pokémon
Game: Pokémon Mystery Dungeon: Explorers of Time & Pokémon Mystery Dungeon: Explorers of Darkness
Console: Nintendo DS
Title: Amp Plains
Instrumentation Solo Piano
Arranger: DuskPiano


Replacement Information:
Links to Existing Sheet: MUS | MIDI | PDF
Replacement Type: Edit (existing arranger remains)

[attachment deleted by admin]

[Latios212]

Thanks Dusk for fixes! Looks much better now. Might need a few more minor touches later on, but yeah for now here it is.

[braix]

I like how the name doesn't even fit in the title of the thread

[Latios212]

This has not been forgotten

I will check this tonight

[mastersuperfan]

Shouldn't the key signature be D minor? (I understand that you'd end up having a lot of B naturals but I think the key signature should still be D minor regardless of mode.)

As one extra touch, I'd recommend adding in the D and G dyad on beat 3 of m8, just as on beat 4, since by that point you can already hear it in the original track. Having it left out makes it sound a bit abrupt on playback.

Also, it might be just me, but the beaming in the RH of m43 and m47 had me confused for a bit. Personally, I unlink all beams that extend between beats, so I would do that here too since I think it makes it more clear; however, if you did that then you'd probably have to change all of them in the arrangement for consistency's sake. It's up to you, really.

One last thing, and it's just a small nitpick: I feel like there's a tad too much empty space between the title/composer/arranger info and the first system, which is also making the top of the first page rather cramped. I'd suggest moving it down a bit.

[Latios212]

Did a final sweep, files updated.

Shouldn't the key signature be D minor? (I understand that you'd end up having a lot of B naturals but I think the key signature should still be D minor regardless of mode.)

Asked JDMEK5 earlier, he said:

Yeah it definitely sounds modal. Or at the very least changes keys too fast to justify key sigs in almost every case
I'd leave the key sig as is

As one extra touch, I'd recommend adding in the D and G dyad on beat 3 of m8, just as on beat 4, since by that point you can already hear it in the original track. Having it left out makes it sound a bit abrupt on playback.

Nice, I like that. Added.

Also, it might be just me, but the beaming in the RH of m43 and m47 had me confused for a bit. Personally, I unlink all beams that extend between beats, so I would do that here too since I think it makes it more clear; however, if you did that then you'd probably have to change all of them in the arrangement for consistency's sake. It's up to you, really.

Yeah that's a subject people have differing opinions on. It could help a bit, but here since everything is beamed in 4 I'd just leave it, as it's not particularly misleading, I think.

One last thing, and it's just a small nitpick: I feel like there's a tad too much empty space between the title/composer/arranger info and the first system, which is also making the top of the first page rather cramped. I'd suggest moving it down a bit.

Did that too.

Thanks for the help!~

[mikey]

here are my thoughts:
I love this song

[Maelstrom]

here are my thoughts:
I love this song

[Zeta]

This submission has been accepted by Maelstrom.

~Zeta, your friendly NSM-Bot