Fernman's Piano Arrangements

[Fernman]

Hi All !

I'm Fernman (Pronounced "Fern Man"). I make piano video game music arrangements that are playable for someone who can reach an octave while still being close to the original. What compelled me to start arranging music is I wanted to find approachable music that sounds recognizable and that isn't written so difficult to play. One may not have to play music as written, but if one has to make too many changes to it, one may begin to struggle than actually enjoy playing.

• I don't aim for precise accuracy in my arrangements, instead I aim for relative accuracy by making the song playable and readable for the average player. So, for example, if a Pokemon song has high speed 16th notes, which may come easy to experts, I will modify it to be a more playable arrangement for a typical player while ensuring it still sounds recognizable.
  
• If a song has large intervals I will shorten them while still making it sound part of the song. I can reach an octave so I arrange music to this range when possible.
• If a song has multiple voices in it, instead of layering them I will have the melody, bass, and accompaniment have their own partnering. This way, when you repeat the song it sounds different each time, and is actually playable and is easier to read than if it were layered
• In short I try to make music playable and easy to read/play to the extent the song allows it.
• When applicable I will make a simpler version of the arrangement in addition to the "regular" version.

I am open to any and all constructive feedback to improve my arranging. I want to continue to improve my arranging skills. Although I may not be aiming for precise accuracy, I still want it to be accurate enough and be playable.

I arrange new music periodically.

My Musescore profile will always be most up to date with additions and all songs included within each music set: https://musescore.com/user/45030287

[Fernman]

All Things Pokemon

Pokemon Red, Blue, and Yellow Versions

Title Screen
Yellow Version Opening

Cities and Towns
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Battles
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Ending
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Pokemon Fire Red and Leaf Green

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Pokemon Gold, Silver, and Crystal Versions

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Kanto Cities and Towns
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Kanto Routes
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The End

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Misc Sound Jingles
Mobile Adapter 1
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Pokemon Heart Gold & Soul Silver Versions

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Route 47
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Pokemon Ruby, Saphire, and Emerald Versions

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A Journey Into the Hoen Region
Welcome to the World of Pokemon
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Rustboro City V3
Dewford Town
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Buildings and Places
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Pokemon Contest
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Routes and Traveling
Route 101
Route 104
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Route 111 / Desert
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Route 120
Route 120 ADVANCED
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Bicycle
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Heavy Rain
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Victory Road EASY

Battle Themes
Encounter! Tuber
Encounter - May
Battle May / Brendon
Battle Wild Pokemon
Victory Wild Pokemon
Trainer Battle
Victory! Trainer
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Battle Team Aqua/Magma Grunts EASY
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Victory! Team Aqua and Team Magma
Battle Gym Leader
Victory! Gym Leader
Battle Legendary Pokemon
Battle Regirock, Regice, and Registeel V1
Battle Regirock, Regice, and Registeel V2
Battle Regirock, Regice, and Registeel V3
Battle Elite Four V1
Battle Elite Four V2 Simpler
Battle Elite Four EASY
Battle Champion V1
Battle Champion V2
Battle Champion EASY
Victory! Champion

Ending
Hall of Fame
Hall of Fame EASY
Ending Theme
The End

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Pokemon Omega Ruby and Alpha Saphire

A Path We All Must Walk
Let's Go Home Together
Battle Lorekeeper Zinnia (Advanced)
Battle Lorekeeper Zinnia
Battle Lorekeeper Zinna EASY
Battle Lorekeeper Zinna (Violin and Piano)

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Pokemon Snap N64

Professor Oak's Lab
Camera Check
Pokemon Report
Photo Album
Hut by the River
Gallery

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Pokemon Stadium 1

Game Intro Demo
Game Intro Demo EASY
Professor Oak's Lab
Pokemon Transfer
Hall of Fame

Mini Games
Thundering Dynamo
Drwozee's Snore War
Free Battle
Mini Game Win

Stadium Battles
Battle Intro
Pika Cup Battle 1-3
Pika Cup Battle 1-3 Easier
Pika Cup Battle 4-6
Prime Cup Battle 1-3
Prime Cup Semifinal
Battle End

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Pokemon Stadium 2

Opening Screens
Title Screen
Demonstration Battle
Demonstration Battle V2
Mystery Gift
Mystery Gift EASY
Mobile Stadium
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Professor Oak's Lab
Trading Pokemon
My Room
Free Battle
Event Battle

Professor Earl's Academy
Professor Earl's Academy
Earl's Academy Quiz
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Eager Evee
Clear Cut Challenge
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Topsy Turvey
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Gusty Golbat
Barrier Ball
Select the Mini Game Winner
Mini Game Won and Complete

Stadium
Stadium
Pokemon Select
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Little Cup
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Little Cup Final Battle

Poke Cup
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Poke Cup Semifinal Battle
Poke Cup Final Battle

Prime Cup
Prime Cup Battle 1-3
Prime Cup Battle 1-3 Easier
Prime Cup Battle 4-6

Challenge Cup
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Challenge Cup Battle 4-6
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Stadium Victories!
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Defeated
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Clear

Gym Leader Castle
Johto
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Johto Gym Leader Castle V2
Gym Trainer Battle
Johto Gym Leader Battle
Team Rocket Battle Intro
Team Rocket Battle
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Lance Introduction Theme
Champion Lance Battle
Lance Defeated

Kanto
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Ash / Red Battle
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Rival
Rival's Theme
Rival Battle
Victory!

Prizes
Relearn TM
Move Relearned
Got a Rare Pokemon

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Pokemon Colosseum and Pokemon XD: Gale of Darkness

Pokemon Colosseum
Title Screen
Main Menu
Pyrite Town
Agate Village
Relic Forest
Cipher Peon Battle
Cipher Syndicate
Miror B's Retro Groove
Final Battle / Evice
Pokemon XD: Gale of Darkness
Gateon Port
Krabby Klub
Krabby Klub (Simpler)
Purification Chamber
Miror B Battle

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Pokemon Diamond, Pearl, and Platinum Version

Introduction

People
Dawn's Theme V1
Dawn's Theme V2
Lucas's Theme V1
Lucas's Theme V2
Looker's Theme

Cities and Towns
Twinleaf Town
Sangdem Town (Day)
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Jubilife City
Oreburgh City V1
Oreburgh City V2
Floraroma Town
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Hearthome City
Solaceon Town/Pastoria City (Day)
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Veilstone City (Day)
Veilstone City (Night)
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Sunnyshore City (Night)

Places and Buildings
Pokemon Center (Day)
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Pokemon Gym
TV Station
Oreburgh Gate
Oreburgh Mine
Eterna Forest
Lake
Lake Cavern
Valor Lakefront
Amity Square
Spear Pillar
The Underground V1
The Underground V2
Contest Hall
Contest Result Announcement
Pokemon League (Day)
Pokemon League (Night)
Fight Area
Battle Tower
Battle Hall
Battle Castle V1
Battle Castle V2
Battle Castle Ensemble
Battle Castle Flute
Battle Castle Flute Piano V1
Battle Castle Flute Piano V2

Routes and Traveling
Bicycle
Surfing
The Great Marsh
Route 201 (Day)
Route 201 (Night)
Route 203 (Day) V1
Route 203 (Day) V2
Route 203 (Night) V1
Route 203 (Night) V2
Route 205 V1
Route 205 V2
Route 206
Route 209 (Day)
Route 209 (Night)
Route 210 (Day)
Route 210 (Night)
Route 216 (Day)
Route 216 (Night)
Route 225 (Day)
Route 225 (Night)

Battles!
Decisive Battle! (Pokemon League)
Wild Pokemon Battle
Trainer Battle V1
Trainer Battle V2
Trainer battle V3
Battle! Rival
Gym Leader Battle V1
Gym Leader Battle V2
Gym Leader Battle V3
Team Galactic Battle V1
Team Galactic Battle V2
Team Galactic Commander Battle
Battle! Dialga and Palkia
Approaching Champion Cynthia V1
Approaching Champion Cynthia V2
Approaching Champion Cynthia V3
Battle! Champion

Victory
Entering the Hall of Fame
Entering the Hall of Fame (easier)

Other
Global Trading Station
Global Trading Station (Easier)
Mystery Gift
Wi-Fi Plaza
Wi-Fi Plaza Parade

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Pokemon Black and White Version

An Unwavering Heart
Nuvema Town
Nuvema Town (Simpler)
Castelia City
Icirrus City
Nimbassa City
Nimbassa City (Simpler)
Mistralton City
Mistralton City (EASY)
Hall of Fame
Route 4 (Autumn)
Route 4 (Spring)
Route 4 (Summer)
Route 4 (Winter)
Route 6 (Autumn)
Route 6 (Spring)
Route 6 (Summer)
Route 6 (Winter)
Pokemon Gym
Gate V1
Gate V2
Gate (Easy)
The Dreamyard
The Village Bridge
Relic Song
Bicycle / Cycling
Relic Castle
Dragonspiral Tower
Team Plasma Plots
Let's Go Together
Accumula Town - V1
Accumula Town - V2
Anville Town
Abyssal Ruins
Coronation Day
Route 12 (Summer)
Route 12 (Autumn)
Route 12 (Winter)
Lacunosa Town
Undella Town
Striaton City
Nacrene City
Black City
White Forest
Route 1
Route 2 (Summer)
Route 2 (Autumn)
Route 2 (Spring)
Skyarrow Bridge
Tubeline Bridge
The Royal Unova
Entralink
Unity Tower
Embracing One's Duty/N's Castle Bridge
Embracing One's Duty/N's Castle Bridge Extended
Bianca
Trainer Encounter (Lass)
Dress Up with Props
Musical Theatre
Surfing V1
Surfing V2
Surfing (Easier)

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Pokemon Mystery Dungeon - Red/Blue Rescue Team

File Select / Pelipper Mail Room
Friend Area - Steppe
Friend Area - Swamp
Rescue Team Base
Awakening
Awakening (Ensemble)
Pokemon Square

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Pokemon Mystery Dungeon - Explorers of the Sky

Through the Sea of Time
Through the Sea of Time EASY

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Pokemon Medleys

New Bark Town Medley
Goldenrod City Medley
Professor Elm's Laboratory Medley

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[Fernman]

BattleTanx 1

Title Screen
Ground Zero
Fremont Street
State Street
Area 51

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Clockwork Knight 1

Betsy's Room 1-1 (Melody Only)
Room Map
Soltian Roulette

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Donkey Kong 64

Frantic Factory - Production Room
Banana Fairy Isle
Mad Jack Battle
Mermaid Palace
Mermaid Palace (Flute & Piano)
Angry Aztec
Cranky's Lab

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Kirby's Epic Yarn

Grass Land
Flower Fields

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Luigi's Mansion 1

Main Theme
Portrait Ghost

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Mario Kart Double Dash

Mushroom City
Rainbow Road
Baby Park
Baby Park (Simpler)

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Nights Into Dreams

Gate of Your Dreams
The Amazing Water / Splash Garden
Take The Snow Train / Frozen Bell V1
Take The Snow Train / Frozen Bell V2
Soft Museum / Suburban Museum
Twin Seeds V1
Twin Seeds V2
Dreams, Dreams

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Mario Tennis 64

Main Menu
Ending Theme

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Miscellaneous

Undertale - Home
Earthbound - Pollyanna
Astal - Into The Darkness

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Paper Mario: The Thousand Year Door

Petal Meadows
Petalburg

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Rayman 1

View All Sheets

Ubisoft Presents
World Map

Dream Forest
Betilla the Fairy
Magicians Challenge
Dream Forest
Deep Forest
The Flood / Suspense
Flight of the Mosquito
Mosquito's Rage

Band Land
Band Land Harmony
Mr. Sax Battle

Peaceful Peaks

Picture City
Pencil Pentathalon
Picture Perfect
Viking Space Mama
Entering the Cave
Entering the Cave (alternate)
Deep in Caves
Eat at Joe's
Mr. Skop's Battle

Candy Chateau
Creepy Clowns
Mr. Dark

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Rayma Origins

Chasing a Dream

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Star Fox 64

View All Sheet Music

Main Theme
Select Theme
Training Mode

Introductions
Opening Cutscene
Start Demo 2
Stage Intro Short
Stage Intro Medium
Stage Intro Long

Versus
Versus Mode
Versus Battle
Versus Battle One-on-One

Planets and Sectors
Map
Corneria
Meteo
Warp
Fortuna / Fichina
Sectory Y
Katina
Aquas
Zoneness
Sectory X
Titania / Macbeth
Bolse
Area 6
Planet Venom

Pilots
Star Wolf
Katt's Theme

Boss Battle Themes
Boss Battle A
Boss Battle B V1
Boss Battle B V2
Boss Battle C
Andross' Regular Battle
Adross Brain Battle

Results
Mission Accomplished
Mission Failed
All Clear
Player Down
Ending Theme

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Star Fox Adventures

Krystal's Theme
Krystal's Theme (Saxophone)

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Super Mario 64

Opening
Inside the Castle Walls V1
Inside the Castle Walls V2
Slider Theme (simpler)
Piranha Plant Lullaby
Snow Mountain
Dire, Dire Docks
Big Boo's Merry Go Round
Metalic Mario
Bowser's Road
Bowser's Theme
Ultimate Bowser
Ending Cutscene
Staff Credits

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Super Mario Sunshine

Delfino Plaza
Bianco Hills
Rico Harbor
Rico Harbor EASY
Pinna Park V1
Pinna Park V2
Pinna Park V3
Noki Bay
Sky and Sea
Gelato Beach
Pianta Village Band (piano)
Pianta Village Band (piano) V2
Pianta Village Band (guitar)
Pianta Village Band (low g ukulele)

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Wave Race 64

Main Menu
Options Menu
Stage Opening
Dolphin Park
Sunset Bay
Drake Lake
First Place
Score Board
Sunny Beach
Southern Island
Twilight City V1
Twilight City V2
First Prize
Third Prize
Ending

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Yoshi's Story

View All Sheet Music

Yoshi's Story
Trial Mode

Beginning
Yoshi's Song/Treasure Hunt
Games of Happiness / Rail Lift
Melon Race / Hard Times
Come Back to Me
Love is In the Air
Tall Tower

Summit
The Summit
Alpina Blue

Jungle
Spider Swing
On the Beach

Finale
Baby Bowser's Lullaby
The Riddle

Boss Battles
Boss Battle
Baby Bowser's Battle 1

Endings
Results
Name Entry
High Scores
Yoshi's Happy Result (Ensemble)
Ending Story

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The Legend of Zelda - Ocarina of Time

View All Sheets at Once

Towns and Places
Inside A House
Shop Theme
Kokiri Forest
Lost Woods
Hyrule Field + Morning
Hyrule Field
Castle Courtyard
Kakariko Village
Kakariko Village EASY
Song of Storms / Windmill Hut
Lon Lon Ranch
Zora's Domain
Gerudo Valley
Gerudo Valley EASY

People
Kaepora Gaebora
Zelda's Lullaby VERY EASY
Zelda's Lullaby EASY
Koume and Kotake
Great Deku Tree
Ganon's Organ

Events
Timed Minigame
Timed Minigame EASY
Horse Race V1
Horse Race V2
Ingo Loses Horse Race
Castle Collapsing

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The Legend of Zelda - Majora's Mask

View All Sheets at Once
Clock Town Day 1
Clock Town Day 2
Clock Tower
Song of Healing (Easy)
Astral Observatory
Milk Bar
Termina Field
Deku Palace
Stone Tower Temple
The Giant's Theme

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The Legend of Zelda - The Minish Cap

View All Sheets

File Select

People
Zelda
Vaati's Story
Ezlo

Towns and Places
Hyrule Town
Hyrule Field
Minish Woods
Minish Village
Mount Crenel
Climbing a Bean Stalk
Palace of Winds
Elemental Sanctuary V1
Elemental Sanctuary V2

Events
Inside A House
Picori Festival
Cucco Chase Mini Game
Get Element


Credits Theme

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The Legend of Zelda - The Wind Waker

Aryll's Theme
Grandma
Grandpa's House
Outset Island
Windfall Island V1
Windfall Island V2
Dragon Roost Island
The Great Sea

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The Legend of Zelda - Twilight Princess

Agitha's Castle
King Bulbin and Lord Bulbo
Twilit Cargo Game
Lake Hylia
Castle Town
Castle Town (Simpler)

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The Legend of Zelda - Skyward Sword

Gate of Time
Skyloft
Skyloft - Outskirts

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Zelda II - The Adventure of Link

Palace Theme

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[Fernman]

[Intentionally left blank]

[Fernman]

Asking for feedback on song Stadium from Pokemon Stadium 2

PDF
MUS

Conversation with Latios regarding my question if this song would be considered to be on NSM based on my arrangement style.
Discord Conversation:

Fernman — 12/28/2023 7:03 PM
One of my submissions is being accepted (yay!) and I'm considering what to submit next. I can play this arrangement and would like to submit it, though I excluded some of the harmonics since they are out of reach or at a minimum it makes the song way more difficult than it needs to be. My question is do you think this has a good chance of being accepted for what I'm aiming for? While I appreciate all of the NSM team efforts, I don't want to submit something that will get stalled for almost a year like my first two submissions. https://musescore.com/user/45030287/scores/9997201

Latios — 12/28/2023 7:20 PM
Hey! Apologies I haven't been able to keep up with your previous submissions, that's partially on me for them taking so long. Skimming this with what I've seen, you do a good job of getting the melody, countermelody, and rhythms correct with a focus on playability which is good. However, this sheet leaves something to be desired when it comes to the bass and harmony, e.g. the chords, which is something I noticed with your prior submission. What you have written in the left hand generally fits playability wise and isn't too far off from the original, but often omits the root note of the chord or has it in the wrong inversion, and sometimes leaves out the bass in favor of a countermelody. While this isn't always a bad thing, it leaves the arrangement feeling a bit "unbalanced" or deviates from the original harmonically, which would require some adjusting.

Fernman — 12/28/2023 7:56 PM
That is a lot to unpack...chords should be an easy fix, leaving out the bass I think I understand what you are saying, by excluding the bass section, it can make the song sound "too high and ungrounded" in some sections. I'm not sure what else could be added to the LH and still keep it playable. I rather not add an out of reach voice/layer than what can be currently played.
The suggested "unbalanced-ness" might be the main breaking point. unless there is a solution that could be addressed during the submission process. m24 to the end might be able to accommodate a layer if it is not the harp section.

Latios — 12/28/2023 8:07 PM
I don't mean to say you have to add another layer on top of what you already have, rather to suggest that you listen through again paying specific attention to the bass and include it where possible or invert what you have to match. For example, the bass in measure 4 should be A, measure 6 moves from F# to B, measure 7 should be E, measure 8 should be A, etc. Your rhythms are right but the chords are not quite correct.

Fernman — 12/30/2023 6:02 PM
So I relistened and I hear the bass, which might be the tuba which I was excluding entirely. I also inverted it downward as you suggested and to be quite honest, by inverting it downward it sounds really heavy, and while that may be what the song is, it sounds more cheery if it is up an inversion when played on the piano. Secondly, I really dislike m6 with all those notes in a single chord. I may not have a trained musical ear, but that sounds unpleasant. I would rather exclude that bass section previously suggested. If these are required/strongly recommended maybe this would not be a contender to be submitted to NSM since my preferences don't match the song exactly? Thoughts?


Latios — 12/30/2023 8:17 PM
In some places you have the bass but it's not always right in the image you have above - see my message above for how the bass moves. Before adjusting the voices to sound good and be playable we need the right notes/chords in first. Here's something more along the lines of what I'm envisioning for this piece:
- m. 5 is D and should have D in the bass
- m. 6 starts with F#m so should have F# as the root. The A# is present on the 16th note strikes before the chord changes to Bm7
- m. 7 is a bit odder, the chords in the original include D and A but the bass plays E
- m. 8 is Asus4 > A
Image
What you have generally conforms to the chord structure but deviates in a few places. That paired with some incorrect inversions is what causes it to feel a bit off. Especially with a march-like piece like this it's important to get the chord strikes right in the left hand and here I would recommend mostly using fifths to reinforce the bass note, and perhaps write in some more harmony in the right hand underneath the melody to outline the chords if it's not easy enough to do so in the left hand (e.g. if it sounds too muddy).
I may not have a trained musical ear
I'd highly recommend using a tool like AudioStretch to help you make sure you have the right notes first! https://www.ninsheetmusic.org/forum/index.php?topic=11175.0
Hope that helps 🙂
To be clear, I'm not saying your arranging is bad. But to the question of if it's suitable for the site, I'm pointing out that I feel that the bass and chord structure are musically fundamental aspects of the piece that are not aptly represented in its current form.

Fernman — 12/30/2023 9:12 PM
Thanks for your time and analysis Latios! I need to warm up to the notes an inversion lower. I may submit this one or a simpler one (I think) next. I'll keep a record of your comments.

Latios — 12/30/2023 9:13 PM
You're welcome! I apologize if it comes off as a bit pushy. Feel free to ask if you need more guidance 🙂

Fernman — 1/4/2024 at 7:08 PM
Hi Latios, I've reviewed your feedback and tried to warm up to your suggested arrangement, but I don't like the way it sounds heavy, and odd in that m7 and in general it loses its cheer to compared to its current arrangement.
I ask that you hear me out on my arrangement style. As you've pointed out the song as arranged is missing its base. Generally, when I arrange a song I pick the parts which are most memorable to the feel of the song which in most cases will be the melody and counter melody/accompaniment.
While in m4 you hear the bass as you suggested above, there is also what I hear as an A4 and E4 in the treble staff playing the left hand pattern at the same time. Also at about that same pitch range is the climbing notes in m3. We can call anything playing at this range the counter melody.
I chose to drop the counter melody down an octave to become the bass pattern instead of the "official" bass pattern you pointed out. While I may not be "accurately" representing the "bass and chord structure" I am using chord structure which exists in the song, i just moved it into in a different octave range to avoid any "unbalanced-ness".
This is my arrangement style, I use parts which I think would sound best in the song and arrange it accordingly trying to capture the intended feel of the composition. Based on this I'll respectfully ask again, since it will come up in the submission process anyway, do you think how I have chosen to arrange this song would be considered to be on the NSM site?

Latios — 1/4/2024 at 7:20 PM
I'll defer to the other updaters to weigh in 🙂 but if I could make a request, could you post this in your personal arrangement thread on the forums? Easier to maintain the back and forth on a single topic there especially with the amount of text.
To be clear, I'm not saying that everything that goes on site has to be how I envision it. But we have to make sure that your interpretation is not only correct, but feels representative of the original to other people as well. That's why I'll have others weigh in, given what I've disagreed with above
Appreciate the attention to detail ^^

[Bloop]

Taking a look at this as well, and I'm inclined to agree with Latios too on the harmonic structure. Measure 5 to 8 would also be one of my breaking points: in the original I hear these chords:
D7 | F#m7 Bm7 | Em7(add11) | Asus4 A
Whereas in your arrangement it has been reduced to:
D7 | A/C# D | D(sus4?) | D A
The most important notes of any standard chord (limiting to triads and 7th chords) are the root and the third. The root is important to identify the chord and is usually played by the bass. If you leave out this root, you literally leave out a fundamental part of a chord. To me, in your arrangement, m5-8 doesn't sound as cheery as the original, but it sounds more stale. Instead of a heroic cadence (iii vi ii V), you go back and forth between I and V a little bit and stay on that I chord for about 2 bars (m6 beat 3 up to m8 beat 1). I'd probably go with something akin to Latios' suggestion too, though for m7 you could also do E-A-D instead (an octave up from what Latios has).

[Kricketune54]

Speaking a little more generally, There are parts of the bassline that I feel should be included/could be included as another layer  (ex. m9 or m15), and I find page 2 is a bit empty in its accompaniment/LH. Additionally, there are missing harmony notes to the melody such as m27-28 and m30-32 RH.

Also never realized this track was an arrangement of New Bark Town. With that in mind, would like to see Go Ichinose and Junichi Masuda credited, and that Hajime Wakai arranged this. Then you would be listed as "Arranged for Piano by Fernman". If needing help on what this looks like check out any of the Goldeneye sheets not arranged by Evil Squeaky on site

[Fernman]

Taking a look at this as well, and I'm inclined to agree with Latios too on the harmonic structure. Measure 5 to 8 would also be one of my breaking points: in the original I hear these chords:
D7 | F#m7 Bm7 | Em7(add11) | Asus4 A
Whereas in your arrangement it has been reduced to:
D7 | A/C# D | D(sus4?) | D A
The most important notes of any standard chord (limiting to triads and 7th chords) are the root and the third. The root is important to identify the chord and is usually played by the bass. If you leave out this root, you literally leave out a fundamental part of a chord. To me, in your arrangement, m5-8 doesn't sound as cheery as the original, but it sounds more stale. Instead of a heroic cadence (iii vi ii V), you go back and forth between I and V a little bit and stay on that I chord for about 2 bars (m6 beat 3 up to m8 beat 1). I'd probably go with something akin to Latios' suggestion too, though for m7 you could also do E-A-D instead (an octave up from what Latios has).

I appreciate the technical analysis Bloop, I had to think about it for a bit, but it makes sense.
I think what is getting me is m4. If it could be brought up an inversion then the rest of the measures as you and Latios have suggested, feel cheery. I know there is a chord structure already there in the bass pattern as Latios pointed out, I'd just like to bring down the chord structure that I hear in the treble.
If I could learn more to hear chords like you that would be great.
I updated the files

Updated PDF
MUS

Speaking a little more generally, There are parts of the bassline that I feel should be included/could be included as another layer  (ex. m9 or m15), and I find page 2 is a bit empty in its accompaniment/LH. Additionally, there are missing harmony notes to the melody such as m27-28 and m30-32 RH.

I appreciate the feedback Krikitune, I don't know if adding that baseline is playable when I'm using all my LH fingers to play what is currently there, what I am noticing may be out of reach.
I don't disagree that it sounds empty on page 2, The Harp is playing and it is going all over the staff so I don't know of a way to include something to make it playable while keeping what I have now.
page 2 RH harmonics are added, as well as composers.

As I have now warmed up to Latios' arrangement suggestion, pending being ok with the m4 inversion change upward and everything preceding. Are there any other breaking points? Latios has a lot more harmonics in his suggestions which I find more challenging to play, at least speaking from my level and hand span. Not to say I'm not open to seeing if I can play it, I just don't want to make it more difficult than it needs to be.
The only place I did a rearrangement was beat 4 of m3 and m20, where instead of it parallelling the RH, I made it sound different and more march-y.