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https://www.ninsheetmusic.org/download/pdf/537

- m6 shouldn't have an E in the arpeggio
- m15 the arpeggio should be a Bo7/F, like in m8
- m17 the final C in the LH should be an octave lower

Some formatting things also seem a bit funky, e.g. the tempo marking font. I'd also argue that m15 b4.5 the E in the LH should go in the RH and have an arpeggio, but that's more up to interpretation.

Down to move both texts between the staves for consistency since you two both prefer! Is there anything else?

(also @Libera: I don't know if you remember, but you gave me feedback on this sheet like 3.5 years ago. I didn't really touch it until Lat bumped me recently and then I clean up a bunch of things, so I'm glad I've improved between then and now haha ^^)

Late reply oops. Thank you for the feedback!

- done
- not entirely convinced of the voicing, I definitely think there should be an F(4) on top, unless i'm hearing an overtone uh
- done
- done
- done
- done
- done

Also I still prefer staff text above the system, but am down for a third opinion
ty for feedback ^^

[To the Moon - Having Lived]

Hi! Haven't been active in a while, just submitting an old unfinished sheet after Lat bumped me haha. Sheet is in the dropbox!

To the Moon - Having Lived [OST]

Wooo finally got something out there! I don't use the forums much, but I've been lurking around the server for a while now so it's nice to finally have something to my name )

AcceptedSugar, BlueKirby, and Apind, congrats you guys!! I haven't seen you guys around before, but it's really cool that we made our breakouts all at the same time—would love to get to know y'all!

Was indecisive so I found the answer in Behind Bars

The spaced layout looks a lot more comfortable now though, thanks! Anything else?

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Thank you )

Move the Layer 2 rests in m13/16/17/19 up onto the center of the staff.

Alright! You mean to the default location, all the way to the center? Also what's generally the convention on this? Cuz Lat told me to move it down earlier lol

I would space the systems out more so that there are four systems on page 1 and three on page 2. Page 1 is a little bit cramped right now and you have plenty of space to move things around.

Sounds good, will do!

Does the track loop in-game?

Nope, it's kinda like BotW in which certain tracks kinda just randomly play depending on where you are in game. It ends on the sus chord, which I didn't like at first, but I've gradually warmed up to haha. (Also... the lick :0)

Right, that makes sense. In theory I could put an arpeggio A2 > D4, but it doesn't really add much and doesn't really line up with the difficulty of the rest of the arrangement—plus as you said Deku, the RH already has a suspension.

I'm not really sure what the procedure is from here since this is my first submission, but I'm happy with it as is! Let me know if there's anything else I need to do. Thanks for the help!

Yeah, that makes sense. Lat independently suggested a similar thing actually

So for similar measures (13, 15, 17, 19), I'll just do this then.

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(edit: resized image to not be humongous)

YouTube Link:

It's definitely playable as is; I've recorded a cover but just haven't uploaded it to youtube yet lol.

Prob the most questionable part is the LH bracketing in m13-20? It works, but it just might not be the most efficient—depending on whether you prefer disjointed diads on the LH, vs. big (but relatively slow) jumps with the RH.

Thanks for your time! ^^

Sorry, misunderstood. Thought you wanted me to post on your arrangement thread. Is this one going to be posted on-site?

Hey Deku,

I'm copying this over from the discord; I found some errors in Luma/The Story Begins/Prologue:

- m5 b2 RH there shouldn't be an A
- m6 b2.5 RH there's no E in the arpeggio
- m15 b3.5 RH should be A diminished 7th chord rather than a dominant 7th, so an Ab instead of the G
- pretty sure the official name of the track is called Luma.

I checked everything else and didn't find anything.

I also found a few problems with Save Game from Animal Crossing, but I'm pretty busy right now and don't have time to pick out the errors, but you're definitely a lot more experienced than me now and can definitely find them hehe and btw, the official name is "Finished Already".

Not sure if this post sounds arrogant or something, hopefully it doesn't... I don't mean it to be. Sorry if it comes off that way.

@Luigi21, I hope you get a response soon!

Hey,

Sorry you haven't gotten any responses yet! I'm relatively familiar with Musescore, so I might be able to fix your problem—but I'm not entirely sure what you're asking, to be honest. There has to be 16th rests in that measure so that the duration adds up, right?

I'm open to DMs on discord, if you want to respond there—Kaphita#4535.

Hey guys,

I've had a decent amount of trouble with Return to Nifl. As usual, I apologize if posting this here violates some rule I'm not aware of—I usually hang around the discord, so I'm not very familiar with the forums.

Here's what I got so far (mscz and xml).

First: chord voicing vs. relative strength of the notes in the chord. The opening chord in the RH is F#m7, with an A on top (so second inversion)— but the F# is a lot stronger than the A, so it SOUNDS more correct to write it in first inversion. So which should I prioritize: technical accuracy, or sound accuracy?

Second: the LH is getting overwhelmed in the phrase starting in m5. How do I get it to sound above the RH? Octaves would work in theory, but they'd be kinda boring, and kinda annoying to play... Similar thing for m33-40; I'd much prefer not to resort to octaves (though here they're present in the OST), but I'm not sure how else to enrich the melody over its previous repetition.

Third: how do I maintain the momentum once the opening 16-measure figure ends? m17-24 lose the energy built up in the opening as written, without the aid of the percussion track. It'll sound even more slow if I drop some of the voices to make it playable.

And I guess it'd help a lot to check my notes (and notation, like the direction of the staves in m37—whether I need to keep them all pointing down or not to indicate that those 16ths are part of the cello phrase). In particular, the chords from m1-16, which I've listened to countless times and still am not entirely sure if they're correct, the LH phrase from m9 to m16 (are there more notes in beats 2 and 4?), and the LH figure starting in m25. (In measure 26, I actually hear A# on b1 and b3, but that makes no sense...)

Hopefully this wasn't too long. Thanks for the help!!!

https://www.ninsheetmusic.org/download/pdf/1477

In measure 8, the e of 1 and 3 (I think that's what it's called? 1e+a 2e+a... ?) should be a Bb instead of a G.

OST for reference: https://www.youtube.com/watch?v=IljKQ1BdHKI