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Show posts MenuQuote from: Kricketune54 on August 13, 2024, 08:36:44 PM• m28-31 what's the reasoning for Fbb instead of Gn? I guess I would think Gn would be easier to read and mean for fewer accidentals (not like you have to do a natural accidental within the same measure after the Gb).I think I wanted to keep it visually the same as the previous 4 measures but it isn't necessary.
Quote from: Kricketune54 on August 13, 2024, 08:36:44 PM• LH m48 3.0 is a restruck FnNot quite sure what you are referring to?
Quote from: Kricketune54 on July 28, 2024, 08:23:28 PM• m30 RH 4.5 and 4.75 hearing this as En and FnI was about to ask if you meant An and Bn but then I listened to it and yeah it is En Fn lmao
Quote from: Kricketune54 on July 26, 2024, 08:31:37 AM• m2 the gliss sounds like it starts on an Fn, not an An. You could add an 8va above it so it doesn't have to be so high on the page.I made the same changes to the gliss on m48
Quote from: Kricketune54 on July 26, 2024, 08:31:37 AM• m6 and m10 RH 4.75 hearing a DbMade the same change to the LH
Quote from: Kricketune54 on July 17, 2024, 07:20:10 PM• m16 LH beat 1 is this a triplet because it incorporates that ongoing rhythm from previous LH parts (specifically the Cn at the end of the beat 1 triplet)? Otherwise it should be a Cn 16th note and a dotted 8th Bb for beat 1 (keeping the grace note).Maybe I'm a little confused on what you're suggesting the rhythm be, but I hear it as a triplet with those three notes
Quote from: XiaoMigros on July 17, 2024, 03:18:12 PMDiscussed in Discord, Updated.
- Like the others I implore you to think about keeping the cello in its original octave. It's quite odd to do it only for those select three measures and it gets in the way of the otherwise clear melodic lines.
Quote from: Kricketune54 on July 11, 2024, 02:27:00 PM• Got an extra "e" in the titlestreeeeeeeeeeeeeeeeeeeeeeeeeeeeeeetpass mii plaza
Quote from: Kricketune54 on July 11, 2024, 02:27:00 PM• How did you find the composer credit for this? I tried a lot of searching and wasn't sure how a credit could be located hahaSo I just googled find mii composer and that's what it said, and from digging a lot of places pointed towards this link as a source but it doesn't work for me.
Quote from: Kricketune54 on July 11, 2024, 02:27:00 PM• m8 LH 1.5 is the dropping of the Eb intentional?Yes, I dropped it to follow the rhythm of the timpani (even though I'm pretty sure other instruments play the Eb)
Quote from: Latios212 on July 08, 2024, 08:57:45 AMI do think the ends of the slurs in the first measure look abnormally close to the notes on the end though, that might need adjusting (or just re-creating)oh yeah they were kinda close. updated.
Quote from: Code_Name_Geek on July 02, 2024, 09:16:35 PMOh man that's often a loaded debate, but after revisiting this I think you're totally right. That explains why some of those rhythms didn't feel quite natural in 3/4. Is it definitely 6/8 as opposed to 12/8? I encountered some debate between 6/8 vs 12/8 while seeking a second opinion from some musician friends. Regardless, I have it in 6/8 for now (which was surprisingly more work than I expected... Finale did not like that meter change for some reason).Honestly 12/8 might make more sense with the melodic phrasing, but that's up to you I feel. Also yeah, switch time signatures in finale is always a huge pain 😩
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