I'd like to participate too, please!
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Show posts MenuQuote from: Static on June 14, 2022, 09:18:53 AMLooks great! I don't really have much to say except that you're missing a grace note in m65 RH beat 4.5.
Quote from: Latios212 on June 01, 2022, 06:47:01 PM- The second to last bass note in m. 54/62 should be F#
Quote from: Latios212 on June 02, 2022, 02:54:28 PMAh, to clarify that first part, I meant that all the single grace notes should be chromatically adjacent to the melody throughout the whole piece - making them all sharp if they aren't already. E# in m. 9, D# in m. 10, etc.
Quote from: Latios212 on June 02, 2022, 02:54:28 PMI did double check on the source you posted, and it definitely sounds like an F# to me, slowed down both at original pitch and raised an octave.
Quote from: Latios212 on June 01, 2022, 06:47:01 PM- Have you thought about lowering beat 1-2 of the LH of m. 9-16 (and similar) by an octave? I feel like the pattern right now is a bit high and I've always been drawn to the lower D's when listening. In particular, it feels like somewhat of a jump in m. 16 to play the accompaniment lower.
Quote from: Latios212 on June 01, 2022, 06:47:01 PM- Same comment as in your other submission about flipping the slurs up when there's a dyad
Quote from: Latios212 on June 01, 2022, 06:47:01 PM- Also similar to your other submission, all of the grace notes in this piece approach the melody chromatically. For m. 58, the notes are B-Cn instead of A-B.
Quote from: Latios212 on June 01, 2022, 06:47:01 PM- The end of m. 24/28 RH should be all parallel fourths
Quote from: Latios212 on June 01, 2022, 06:47:01 PM- Last bass note in m. 46 should be D#
Quote from: Latios212 on June 01, 2022, 06:47:01 PM- I would recommend not writing in the slur in the lower layer between m. 49-50 and 56-58, as they're so close to horizontal they could easily be mistaken for ties.
Quote from: Latios212 on June 01, 2022, 06:47:01 PM- The second to last bass note in m. 54/62 should be F#
Quote from: Latios212 on June 01, 2022, 06:47:01 PM- Just a thought, if you make m. 41-46 three-measure systems since they're a bit denser then surrounding parts, that'd both fill in the 2-measure gap at the end of the sheet and align the hypermeter with system breaks on the last page!
Quote from: Latios212 on May 31, 2022, 06:58:21 PM- Grace notes in general: would recommend flipping the slur upwards where there's a dyad afterwards and it resolves to the upper note (like in m. 30, 50, etc.)
Quote from: Latios212 on May 31, 2022, 06:58:21 PM- m. 102-115 section RH: The grace notes are chromatic elsewhere in the piece and I think should be here as well (e.g. Bn in 102, G# in 103, D# in 104 and such)
Quote from: Latios212 on May 31, 2022, 06:58:21 PM- m. 118 LH: The LH sounds like it plays Cn instead of C# both times
Quote from: Olimar12345 on May 31, 2022, 01:46:17 PMQuote from: Latios212 on May 21, 2022, 03:51:26 PMJust a passing comment as I browse through submissions: I don't recall there being an official soundtrack listing for this game, but if I remember correctly, matches in the game are generally referred to as "duels", not "battles". As such, I think "Normal Duel" or "Duel" would be a better name for the track, although not all YouTube uploads agree. (The same goes for your other submission.)
Good point, I agree. I have updated the titles of this and my other submission accordingly.
Quote from: Latios212 on May 21, 2022, 03:51:26 PMJust a passing comment as I browse through submissions: I don't recall there being an official soundtrack listing for this game, but if I remember correctly, matches in the game are generally referred to as "duels", not "battles". As such, I think "Normal Duel" or "Duel" would be a better name for the track, although not all YouTube uploads agree. (The same goes for your other submission.)
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