Got it! I added in a couple!
Rest in pepperoni, Mario Mario, 1981 - 2021
He will be missed by all, except for me! WARIO, NUMBER ONE!
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Show posts MenuQuote from: Bloop on July 12, 2024, 01:03:09 PMDouble posting because I happened to also take a look at:
Sector 4
-This piece seems mostly be in Bb minor, though that mostly only becomes clear from m16 on. Thoughts on including a key signature there or for the whole piece?
-m12 beat 3.5 to m15: There seems to be a lower Bb here in the strings too. If the R.H. takes the top notes here, the L.H. can play that lower Bb.
-m44: The Bb in the R.H. on beat 2 is an octave higher in the original
-m47: I'm assuming you used the Bbb here in the R.H. for a Gbm chord, but maybe you could write it as an An too, as it's functionally similar to dropping to a leading tone?
Quote from: Kricketune54 on May 20, 2024, 09:49:15 AM• m22 LH hearing beat 4 as a Gn
• Similarly hearing m30 LH 3.0 as Gn
Quote from: Kricketune54 on May 20, 2024, 09:49:15 AM• I think Inti Creates should be listed in credits given they were developer "Inti Creates, Capcom"Ok sure, I'll add them too.
Quote from: Kricketune54 on May 20, 2024, 09:49:15 AM• What is the reason to credit Ippo Yamada as the composer? Wiki lists 4 composers for this game and I didn't come across anything that singled out Ippo for the trackhttps://vgmdb.net/album/61604
Quote from: Kricketune54 on May 20, 2024, 09:49:15 AM• m22 LH hearing beat 4 as a Gn-fixed
• Similarly hearing m30 LH 3.0 as Gn
• m44 RH hearing An not G#
• m52 RH hearing En on bottom not G#
Quote from: Latios212 on May 12, 2024, 11:53:08 AM- The arpeggios in the original in first half of m. 5 outline Dm7 and G7b9 chords. How would you feel about incorporating those additional notes into the left hand? (e.g. play the seventh on beat 1.25/2.25 instead)hmm. I'm not sure I like that solution but I do see that there is room for improvement here. The 7th (C) in the Dm7 that low sounds too muddy for my liking, and that's not going to really change the chord quality as drastically as the next chord. For the G7b9 I've kept the arpeggio shape from the first beat but added in the notes from the original. Trying to play that Ab from the G was a little too prone to being "missed" for me. Check it out and tell me what you think.
Quote from: Latios212 on May 12, 2024, 11:53:08 AM- In the second half of m. 6 (RH), the secondary voice jumping above the melody seems a bit disorienting to me on piano, despite them being laid out that way in the original. Thoughts on inverting downwards to keep the main melody on top as it is everywhere else?That seems unnecessary imo. Not only is it easier to play as written, it's how this specific iteration is meant to sound. We can always go play the GSC version if we long for that c:
Quote from: Latios212 on May 12, 2024, 11:53:08 AM- m. 12 beat 2 RH is actually a triplet beginning on D - did you intentionally simplify this to make it easier to lead into the tremolo?Yes. Reaching down for the sounding D that starts the triplet would have made the jump much more demanding on the player, when it is essentially just an ornament.
Quote from: Latios212 on May 12, 2024, 11:53:08 AM- m. 15 LH beat 2: I hear G-G# instead of G#-A-fixed
- m. 16 LH beat 4.5: I hear another low G here
- m. 18 LH: I hear G on beat 1 and the octave of beats 2-2.5 flipped (I suppose this would apply to the coda measure as well)
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