I fixed the grace note issue for you, the title/subtitle being centered is fine (that's what the formatting guidelines say), and the slurs look good to me too. So I'll accept!
See you space cowboy...
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Show posts MenuQuote from: Latios212 on July 13, 2024, 08:02:40 PM- The last four notes in the last measure are G-G#-A-B instead of G-A-A#-BQuick addition to be sure, cuz of the key signature change this will be G - Ab - A natural - B natural
Quote from: Latios212 on July 13, 2024, 07:43:48 PMHm, I still feel like it is, perhaps quite quickly? Stylistically I think it also makes sense to reduce the crunchiness of the D-Eb minor second and highlight the melody G a bit better. Let me know if you still disagree though.It is a stylistic thing to play some chords with a veeeeery slight delay between notes, but that isn't really similar to a roll like the other rolls in this section. It's more a way to distribute the weight between the fingers, rather than actively rolling a chord.
Quote from: Latios212 on July 13, 2024, 07:43:48 PMaaaaaaa so what I did earlier did have an unintended side effect. I assume you mean 17 and 20? There's probably a better way, but I poked them manually for nowAh yep, looks good!
Quote from: Fullmetalgrudo on July 11, 2024, 04:28:16 AMI agree for m1 and m13 but I prefer m12 and m17 the way they are. On m12, I like the idea of three 16th, like four with a missing one, where all three notes have the same articulation and with a short rest before beat 4.I see your reasoning yeah, but I'm just wondering how it'd differ compared to the other places in the R.H. where you did use a staccato 16th? Because the original is an 8-bit song, it's hard to really discern any articulation between them other than long or short.
Quote from: Kricketune54 on July 11, 2024, 08:59:01 AMY'know, most people normally wouldn't think to do m1-3, but the way you arranged it sounds so tonally right for Twilight Princess lolThanks! I love figuring out how to make weird sound effects work on a piano, glad it works with the general idea too ;3
Quote from: Kricketune54 on July 11, 2024, 08:59:01 AMAdmittedly I was hoping to open this and hear A D F A D like some basic remaster of the OOT 64 theme. Oh... eh I guess it's not so bad. I felt like I spent the most time listening to make sense of the loop.The original song of time version does exist in twilight princess too! In the hall before the temple, which is pretty much based on the original temple of time as well. But yeah, it would've been even better if the temple theme would use that thematic material too, but oh well :p
Quote from: Kricketune54 on July 11, 2024, 08:59:01 AM• I happened to notice you dropped the "and Koji Kondo", and added an oxford comma in the composer credits. Mixing it up haha? Just was reviewing your other TP arrangements onsiteHuh, idk how that happened haha, changed it to be consistent with my on site sheets ^^
Quote from: Kricketune54 on July 11, 2024, 08:59:01 AM• It sounds like there should be a final pitch at the end of the triplets in m1 on beat 3. I also think on beat 2 the last triplet should be same pitches as first note of this triplet grouping. Just listening to the percussion sounds. Thoughts?Ah yeah, I didn't notice the exact workings of the triplet before, just went with a general piano idea that sounded right. I added a note on beat 3 and changed that + the second to last note to be the same as the two notes before!
Quote from: Latios212 on June 20, 2024, 04:19:51 PMI've wanted to see a sheet for this since the first time I heard the piece haha. "From this point on, don't worry about accuracy" best performance directionI didn't know about the song for the longest time, but once I heard it I knew it was something I should arrange hahaha
Quote from: Latios212 on June 20, 2024, 04:19:51 PM- LH part in m. 36 and the even numbered measures after it: the 3rd/4th/5th eighth notes here. I feel like they might be a half step up (G#-A-G#) but I'm not certain. Mind double checking?Fixed both of these! Changed the enharmonic spelling for m36 a bit because of it, and I went with a D as upper note in m43 beat 7 instead of the A, as I hear that one more prominently
- I'm hearing the upper RH chords in m. 43 as such:
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