Completed by Shadoninja (http://forum.ninsheetmusic.org/index.php?topic=4216.msg146793#msg146793)
Jazzy little ditties ALL AROUND!!
You just gotta love the ending
here's the tune directly from the game (already on a piano) http://www.brawlcustommusic.com/10791 (http://www.brawlcustommusic.com/10791)
I'm working on this.
Quote from: Shadoninja on February 22, 2012, 03:13:21 PMI'm working on this.
The anime version or the DS version?
Quote from: Shadoninja on February 23, 2012, 11:22:23 AMDS.
ok, then. I first thought of the ds version, but then I realized that the video was from the anime.
Anyone want to help me make sense of this? MUS (http://dl.dropbox.com/u/36661985/WIP/Spotted!%20Artist.mus)
Quote from: Shadoninja on March 03, 2012, 12:06:20 PMAnyone want to help me make sense of this? MUS (http://dl.dropbox.com/u/36661985/WIP/Spotted!%20Artist.mus)
What's wrong with it?
I'd put it in D major and use E#'s and B#'s when they're grace notes to the main note. I'd use Ab when possible instead of G# because of the strong parallel minor relation prominent in most jazz. I'd leave the last chord in measure 11 as is, with the natural spelling.
Just use naturals when they come around unless they're grace notes, then use what makes sense.
Quote from: pumpy_heart on March 04, 2012, 08:36:48 AMI'd put it in D major and use E#'s and B#'s when they're grace notes to the main note. I'd use Ab when possible instead of G# because of the strong parallel minor relation prominent in most jazz. I'd leave the last chord in measure 11 as is, with the natural spelling.
Just use naturals when they come around unless they're grace notes, then use what makes sense.
Oh yeah, right, 'cause when you do that it'll sound like that on thing and ANYONE WANT TO REPEAT THIS IN ENGLISH!?
I think he means use 2 Sharps in the Key Signature (D Major). And @Pumpy, with complicated writing like this, or for any writing with lots of accidentals, you use sharps if the note resolves up (D#->E) and flats if it resolves down (Db->C). It's the rule I've always used.
[NDS]Pokemon Diamond/Pearl/Platinum - Spotted! Artist MUS (http://dl.dropbox.com/u/36661985/WIP/Spotted!%20Artist.mus)
Better?
Quote from: Shadoninja on March 05, 2012, 06:10:42 PM[NDS]Pokemon Diamond/Pearl/Platinum - Spotted! Artist MUS (http://dl.dropbox.com/u/36661985/WIP/Spotted!%20Artist.mus)
Better?
What happened to the sixtuplets at the end?
Quote from: the_last_sheikah on March 05, 2012, 06:13:00 PMWhat happened to the sixtuplets at the end?
Replaced them for playability.
Fair enough. Thanks alot.
Quote from: the_last_sheikah on March 04, 2012, 09:35:06 AMOh yeah, right, 'cause when you do that it'll sound like that on thing and ANYONE WANT TO REPEAT THIS IN ENGLISH!?
I don't mean to be rude but do you know anything about music? :P I mean if you want to play a song like this you should probably be able to understand what he said, it's basic music speak...
Quote from: insaneintherain on March 04, 2012, 09:48:10 AMAnd @Pumpy, with complicated writing like this, or for any writing with lots of accidentals, you use sharps if the note resolves up (D#->E) and flats if it resolves down (Db->C). It's the rule I've always used.
Nononono. It depends on the key signature. For example, in D minor, you'd nearly always use G#, not Ab, no matter what note it "resolves" from.
Quote from: SlowPokemon on March 05, 2012, 06:37:37 PMI don't mean to be rude but do you know anything about music? :P I mean if you want to play a song like this you should probably be able to understand what he said, it's basic music speak...
Sorry, I didn't really understand first time he said it/I read it. And yes I understand music, I can read music well and learn it fast, it's just the chord names, types, and all that jazz (heh, music humor) that throws me a bit. I'm still learning, so lay off.
Quote from: SlowPokemon on March 05, 2012, 06:37:37 PMI don't mean to be rude but do you know anything about music? :P I mean if you want to play a song like this you should probably be able to understand what he said, it's basic music speak...
Nononono. It depends on the key signature. For example, in D minor, you'd nearly always use G#, not Ab, no matter what note it "resolves" from.
Oh whoops. I've gotta revise a bunch of things now. But I guess that the resolving thing mainly applies in chromaticism, such as the Flight of the Bumblebee. It may apply in accidental determination, however. You would use a #4 to lead into a 5 normally, right? (Leading with the G#) And it's usually a leading tone resolving to a root (C# to D) in that case. Care to elaborate?
Lolololololol ;D You make me laugh.
[NDS]Pokemon Diamond/Pearl/Platinum - Spotted! Artist MUS (http://dl.dropbox.com/u/36661985/WIP/Pokemon%20Diamond%20Pearl%20Platinum%20-%20Spotted%21%20Artist.mus)
Added C# Grace notes to the end to imitate the 16th tuplets. Also, cleaned up the sheet a little bit.
Oh... So this:
Quote from: pumpy_heart on March 04, 2012, 08:36:48 AMI'd put it in D major and use E#'s and B#'s when they're grace notes to the main note. I'd use Ab when possible instead of G# because of the strong parallel minor relation prominent in most jazz. I'd leave the last chord in measure 11 as is, with the natural spelling.
Just use naturals when they come around unless they're grace notes, then use what makes sense.
was from here...