Submission Information:
Series: The Legend of Zelda
Game: The Legend of Zelda: Breath of the Wild
Console: Multiplatform
Title: Lurelin Village (Day)
Instrumentation Solo Piano
Arranger: Latios212 (https://www.ninsheetmusic.org/forum/index.php?action=profile;u=4344)
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Ah nice to see this one get arranged, it's very soothing...
- Starting at m2 LH: I'd put a slur or tenuto on the bass notes so it's clear they should be played longer than the other notes.
- m26: Do you want a senza pedale here? You have a marking hidden, but then you have one in m2 for some reason... I think it would make more sense just to keep the one at the end of m25.
- Some of the grace note slurs look a little strange (m17, 26, 27), you should try to get them to have a similar contour to the others.
- m28: You can move that 2nd layer rest up a bit.
- The note groupings are inconsistent between places like m7-8 and m17 (dotted quarters vs tied quarters), but I'm personally fine with how it looks. Up to you if you want to change it.
Quote from: Static on June 15, 2020, 08:48:18 PMAh nice to see this one get arranged, it's very soothing...
Yep! One of my many favorites from the game... thanks for checking!
Quote from: Static on June 15, 2020, 08:48:18 PM- Starting at m2 LH: I'd put a slur or tenuto on the bass notes so it's clear they should be played longer than the other notes.
- Some of the grace note slurs look a little strange (m17, 26, 27), you should try to get them to have a similar contour to the others.
- m28: You can move that 2nd layer rest up a bit.
Got these things. Tweaked some spacing as well around some grace notes (and also unbeamed a few groups of three eighth notes towards the end)
Quote from: Static on June 15, 2020, 08:48:18 PM- The note groupings are inconsistent between places like m7-8 and m17 (dotted quarters vs tied quarters), but I'm personally fine with how it looks. Up to you if you want to change it.
I changed measures 8 and 15 so it's more apparent where beat 4 is, it kind of looked odd before... the rest I left as is.
Quote from: Static on June 15, 2020, 08:48:18 PM- m26: Do you want a senza pedale here? You have a marking hidden, but then you have one in m2 for some reason... I think it would make more sense just to keep the one at the end of m25.
Actually no... it's needed for those last few measures. I initially wasn't sure because of the staccato notes in 26-27, but they're under the sustained note so I'll leave it as is visually. The performer can decide to release it for a bit there or continue pedaling for that bit. I've moved the hidden marking to m. 2.
Quote from: Latios212 on June 16, 2020, 05:34:06 PMActually no... it's needed for those last few measures. I initially wasn't sure because of the staccato notes in 26-27, but they're under the sustained note so I'll leave it as is visually. The performer can decide to release it for a bit there or continue pedaling for that bit. I've moved the hidden marking to m. 2.
This would be a good place for sostenuto pedaling, so that the top note is held and the lower notes can be staccato. It's fine as it is though (and I know many pianos don't have that pedal anyway). I
approve.
Looking good! Just two tiny considerations:
- Either way works in the end, but I think slurs would be more conventional instead of tenutos for these patterns.
- On beat 2 of m16, do you want to move the high Eb in the LH over into Layer 1 of the RH?
Thanks! I think I'd prefer to keep both as is - the first I think because I wanted to imply a bit of "weight" on those low bass notes and the second because I wanted to make sure the melody F was easily separated from the other layers (a bit awkward to hold the F down while playing the Eb and G).
nice
This submission has been accepted by mastersuperfan (https://www.ninsheetmusic.org/forum/index.php?action=profile;u=3561).
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